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Behind the Song

Three Hidden Boards comes from my own childhood experience. By comparison with the terrible sexual violence endured by so many girls and women, the incident might appear relatively insignificant. And therein lies something I find profoundly disturbing. Across cultures, generations, and social circumstances, girls learn to accommodate the inappropriate advances, insinuations, intrusions, and abuses of trust by men whose authority or affection they have been taught to accept. The more ordinary these encounters appear, the more easily their consequences are dismissed. Yet a seemingly minor trespass can enter the developing psyche, shaping a girl's relationship with her body, her instincts, her sense of safety, and her understanding of power long before she has language for what occurred.

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As a social researcher and through decades of private depth work with women, I encountered this pattern with remarkable consistency. In my own practice, I cannot recall a single woman whose life history, when explored, did not reveal some experience of inappropriate sexual attention or violated boundaries, frequently involving someone within the trusted circle of family or relationship. These histories emerged incidentally, through the ordinary exploration of a life, even when the women had come to work with me for entirely different reasons. I have often wondered what this tells us about the cultural inheritance of womanhood, and about the countless experiences that never acquire sufficient gravity to be recognized for the damage they leave behind.

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Watching the women who survived Jeffrey Epstein's exploitation come forward with such extraordinary courage brought my own long-buried memory into renewed consciousness, and eventually into this song. Their experiences were far more devastating than mine, yet I recognized something terribly familiar in the surrounding silence, the protection afforded power, and the astonishing burden placed upon women to establish that what happened to them deserves to be taken seriously. Even as survivors seek accountability, the institutions entrusted with protecting them continue to face questions about their failures. How many generations of women have carried the consequences of experiences that society found easier to minimize, excuse, or leave unexamined? And how much of that history continues to live, quietly and consequentially, within the women themselves?

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Three Hidden Boards

A SOULARTS STUDIO RECORDING

Ronda LaRue

00:00 / 07:02
LISTEN

Lyrics

                              I.

 

Seventy years and news feed open

Another rich man saying no

 

Another row of older women

Carrying what young ones come to know

And suddenly I’m back in that classroom

My best friend’s father at the board

 

Sociology, human behavior

Why people hurt, hide, are adored

He smiled and said before the whole class

Like it was nothing strange to do

 

“Play the Rhapsody in Blue solo

And I’ll give an A to you.”

One day I walked in wearing white

Summer linen, buttoned true

 

He said,

“Do you know your nipples are showing?”

My body slunk, my face burned through

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They always say she asked for it

They always say she wanted more

 

As if a girl of sixteen years

Knows what course charm is leading for

They always say she asked for it

Same worn trail through every town

 

A man steps over what he’s done

And leaves the girl try and set it down

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                                II.

 

So I bought a little wooden lock-house

Painted windows, roof pitched high

 

And down below the narrow foundation

Boards that opened puzzle-wise

First the one that looked like nothing

Then the second, and a third

 

Then the roof would lift beneath it

A box of shattered words

I put the guilt his handling made

Confusion I could not speak or explain

 

A child building secret chambers

For a grown man’s trespass and his shame

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Years went by and I kept living

Still drawn toward the human mind

 

When one college psychology lecture

Left me shaking — I didn’t know why at the time

That’s how buried things survive you

Buried under a daily kept art

 

Till the same old lie comes knocking again

At the locker rooms of the heart

 

Now women are speaking in silver voices

Decades lining every word

 

And still the men sharing friends and power

Say the story’s nothing but absurd

Massage tables, courts, and classrooms

Different rooms but still the same

 

An older order keeps handing girls

The oldest lies used to blame

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They always say she asked for it

They always say she went along

 

They never say how power teaches

Doubt in where a girl belongs

They always say she asked for it

Till one day sorrow tells the truth

[pause]

And an old hand lifts a wooden roof

And finds her hidden girl of youth

  

                                III.

 

So I bought a little wooden lock-house

Painted windows, roof pitched high

 

And down below the narrow foundation

Boards that opened puzzle-wise

First the one that looked like nothing

Then the second, and a third

 

Then the roof would lift beneath it

A box of shattered words

I put the guilt his handling made

Confusion I could not speak or explain

 

A child building secret chambers

For a grown man’s trespass and his shame

​

Years went by and I kept living

Still drawn toward the human mind

 

When one college psychology lecture

Left me shaking — I didn’t know why at the time

That’s how buried things survive you

Buried under a daily kept art

 

Till the same old lie comes knocking again

At the locker rooms of the heart

 

Now women are speaking in silver voices

Decades lining every word

 

And still the men sharing friends and power

Say the story’s nothing but absurd

Massage tables, courts, and classrooms

Different rooms but still the same

 

An older order keeps handing girls

The oldest lies used to blame

​

They always say she asked for it

They always say she went along

 

They never say how power teaches

Doubt in where a girl belongs

They always say she asked for it

Till one day sorrow tells the truth

​

And an old hand lifts a wooden roof

And finds her hidden girl of youth

  

                                  IV.

 

Here I am facing morning headlines

Seventy years, and a long trail laid

 

Three small boards inside me shifting

In the order they first were made

What I find is not a temptress

Not a girl who played a part

 

Just a young one taught to carry

A grown man’s trespass of her heart

Now I see the ancient trail for what it is

Through courts and schools and polished rooms

 

And I see myself at sixteen

Hidden inside that little house

Three small boards beneath the floor

 

Waiting for someone to name what he did

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Copyright:  Ronda LaRue 2026

www.rondalarue.com/soulartstudio

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