RONDA LARUE
Behind the Song
Three Hidden Boards comes from my own childhood experience. By comparison with the terrible sexual violence endured by so many girls and women, the incident might appear relatively insignificant. And therein lies something I find profoundly disturbing. Across cultures, generations, and social circumstances, girls learn to accommodate the inappropriate advances, insinuations, intrusions, and abuses of trust by men whose authority or affection they have been taught to accept. The more ordinary these encounters appear, the more easily their consequences are dismissed. Yet a seemingly minor trespass can enter the developing psyche, shaping a girl's relationship with her body, her instincts, her sense of safety, and her understanding of power long before she has language for what occurred.
As a social researcher and through decades of private depth work with women, I encountered this pattern with remarkable consistency. In my own practice, I cannot recall a single woman whose life history, when explored, did not reveal some experience of inappropriate sexual attention or violated boundaries, frequently involving someone within the trusted circle of family or relationship. These histories emerged incidentally, through the ordinary exploration of a life, even when the women had come to work with me for entirely different reasons. I have often wondered what this tells us about the cultural inheritance of womanhood, and about the countless experiences that never acquire sufficient gravity to be recognized for the damage they leave behind.
Watching the women who survived Jeffrey Epstein's exploitation come forward with such extraordinary courage brought my own long-buried memory into renewed consciousness, and eventually into this song. Their experiences were far more devastating than mine, yet I recognized something terribly familiar in the surrounding silence, the protection afforded power, and the astonishing burden placed upon women to establish that what happened to them deserves to be taken seriously. Even as survivors seek accountability, the institutions entrusted with protecting them continue to face questions about their failures. How many generations of women have carried the consequences of experiences that society found easier to minimize, excuse, or leave unexamined? And how much of that history continues to live, quietly and consequentially, within the women themselves?


Three Hidden Boards
A SOULARTS STUDIO RECORDING
Ronda LaRue
LISTEN
Lyrics
I.
Seventy years and news feed open
Another rich man saying no
Another row of older women
Carrying what young ones come to know
And suddenly I’m back in that classroom
My best friend’s father at the board
Sociology, human behavior
Why people hurt, hide, are adored
He smiled and said before the whole class
Like it was nothing strange to do
“Play the Rhapsody in Blue solo
And I’ll give an A to you.”
One day I walked in wearing white
Summer linen, buttoned true
He said,
“Do you know your nipples are showing?”
My body slunk, my face burned through
They always say she asked for it
They always say she wanted more
As if a girl of sixteen years
Knows what course charm is leading for
They always say she asked for it
Same worn trail through every town
A man steps over what he’s done
And leaves the girl try and set it down
II.
So I bought a little wooden lock-house
Painted windows, roof pitched high
And down below the narrow foundation
Boards that opened puzzle-wise
First the one that looked like nothing
Then the second, and a third
Then the roof would lift beneath it
A box of shattered words
I put the guilt his handling made
Confusion I could not speak or explain
A child building secret chambers
For a grown man’s trespass and his shame
Years went by and I kept living
Still drawn toward the human mind
When one college psychology lecture
Left me shaking — I didn’t know why at the time
That’s how buried things survive you
Buried under a daily kept art
Till the same old lie comes knocking again
At the locker rooms of the heart
Now women are speaking in silver voices
Decades lining every word
And still the men sharing friends and power
Say the story’s nothing but absurd
Massage tables, courts, and classrooms
Different rooms but still the same
An older order keeps handing girls
The oldest lies used to blame
They always say she asked for it
They always say she went along
They never say how power teaches
Doubt in where a girl belongs
They always say she asked for it
Till one day sorrow tells the truth
[pause]
And an old hand lifts a wooden roof
And finds her hidden girl of youth
III.
So I bought a little wooden lock-house
Painted windows, roof pitched high
And down below the narrow foundation
Boards that opened puzzle-wise
First the one that looked like nothing
Then the second, and a third
Then the roof would lift beneath it
A box of shattered words
I put the guilt his handling made
Confusion I could not speak or explain
A child building secret chambers
For a grown man’s trespass and his shame
Years went by and I kept living
Still drawn toward the human mind
When one college psychology lecture
Left me shaking — I didn’t know why at the time
That’s how buried things survive you
Buried under a daily kept art
Till the same old lie comes knocking again
At the locker rooms of the heart
Now women are speaking in silver voices
Decades lining every word
And still the men sharing friends and power
Say the story’s nothing but absurd
Massage tables, courts, and classrooms
Different rooms but still the same
An older order keeps handing girls
The oldest lies used to blame
They always say she asked for it
They always say she went along
They never say how power teaches
Doubt in where a girl belongs
They always say she asked for it
Till one day sorrow tells the truth
And an old hand lifts a wooden roof
And finds her hidden girl of youth
IV.
Here I am facing morning headlines
Seventy years, and a long trail laid
Three small boards inside me shifting
In the order they first were made
What I find is not a temptress
Not a girl who played a part
Just a young one taught to carry
A grown man’s trespass of her heart
Now I see the ancient trail for what it is
Through courts and schools and polished rooms
And I see myself at sixteen
Hidden inside that little house
Three small boards beneath the floor
Waiting for someone to name what he did
Copyright: Ronda LaRue 2026
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